After hearing so much about Wampler, I bought a Pinnacle a few months back. Wampler’s offering is of course not limited to drive pedals and it carries the whole gamut of effects. The Pinnacle is a “brown sound” pedal meaning it aims at reproducing Eddie Van Halen’s tone.
It’s capable of much more though as I am trying to show in this video. I especially like its amp like compression, it even gets Clapton-esque in position 2 or 4 on a Strat. I go through all the settings in this demo and give an example of how well the pedal stacks with some tasty delays or reverbs coming from my also newly acquired Eventide H9 (more about this amazing piece of gear in another post).
TC Electronic has been announcing new pedals all day. They are no frills, toneprint-less, mostly analog (save for a reverb and a delay) models. Pretty much every effect is covered: chorus, phaser, flanger, compressor, overdrive, distortion, metal distortion, delay, reverb…
I haven’t seen any retail prices yet but according to TC, these will be priced very competitively.
Here is the Grand Magnus distortion in action, it sounds pretty good!
Benoît from Coda Effects started tinkering with pedal circuits a while back and his passion has led him to develop two original circuits. The financing of the production of the kits or assembled pedals is the subject of a crowdfunding project on ulule: https://www.ulule.com/codaeffects/.
The Dolmen Fuzz is a Big Muff inspired pedal with tons of sonic options such as a mid control and a clipping switch to alter the compression:
The Montagne tremolo is an analog Tremolo driven by digital technology which allows for things like a Tap Tempo or six waveforms including a random one!
Two new pieces of gear from Roland/Boss caught my attention at summer NAMM.
First, the CE-2 Waza craft version, aka CE-2W, is an all analog updated version of the sought after Chorus pedal from the 80s. It sports the regular CE-2 mode but also a CE-1 mode, a vibrato mode, and it has got stereo outputs which the original CE-2 didn’t have. At the time, it prompted Boss to release the CE-3 which did not encounter the same success but was stereo.
Secondly, Robben Ford, who is known for using one of the most elusive and probably expansive amps out there, a Dumble Overdrive Special, has collaborated with Roland to produce a “Tone Capsule” for its Blues Cube series of amps. This capsule gives the Blues Cube a Dumble type of sound which is very accurate according to Robben Ford himself, despite it having no tube at all. I must say the sort demo on this video sounds pretty good, but then it’s Robben Ford playing…