The Distillery is a boost pedal with many options to tweak the tone. Interestingly, it was designed in collaboration with big names like Billy Gibbons, Buddy Guy, Steve Lukather, etc. with a particular goal in mind: helping these guys get “their” tone through back line amps. And yes even famous gunslingers don’t always get to take their favorite gear on tour (especially when they come to places like Australia). As such, it is as much a tone sculpting tool as it is a boost pedal. Here is a demo involving a Les Paul and some high gain amp. The ToneConcepts website has more demos, check it out.
I have received quite a few product release emails in my inbox lately and most (all?) of them activated my gear acquisition syndrome. Here is a series of posts presenting those items.
First of all, the Dirty Deed distortion pedal is a worthy addition to the Seymour Duncan line of pedals, often overlooked as guitarists think of pickups whenever the brand is mentioned.
Anyway, the Dirty Deed offers a lot of gain on tap and aims at replicating classic rock and hard rock tones. The tone seems really “focused” from the demos I have seen, and to me some features really stand out: it is designed to work with both Fender and Marshall like amps, it seems usable at very low gain and you can run it at 9V or 18V for added saturation and compression. Last but not least it features a bass and a treble knob.
Here is one of the early demos for it:
I have written about the Farmer’s Mill before, it has been successful against all odds and a new and improved version has just arrived.
The farmer’s mill dirties the tone in a way that is hard to explain, it’s not a distortion per se, it’s more like a “broken cable emulator”. I know that sounds weird but it can sound kind of cool. Apparently, Jack White is a fan. I think a video is probably the best way to understand:
Apart from the new Farmer’s Mill, Crushsound has released very cool looking ceramic slides, check them out:
If you are just getting into Fuzz pedals, chances are that the first choice that you will have to make is: Germanium or Silicon? This refers to the transistor type inside the fuzz, or rather the material used by the pair of transistors responsible for distorting the signal.
Germanium transistors were used in the early generation of Fuzz Face pedals (mid 60s) but they were prone to temperature changes. More stable, Silicon transistors became more frequently used at a later stage.
It is hard to write about Fuzz pedals without writing about Jimi Hendrix aka the grand fuzz meister. He used Germanium fuzz pedals on his early albums (think Axis bold as Love) whereas on later albums such as “Band of Gypsys”, he is thought of having switched to Silicon. Of course, this is not absolutely certain as he probably used whatever he would get his hands on but this is a generally accepted fact.
When Steve from Buffalo FX offered me to compare his new Germanium model with his Silicon model, I jumped at the opportunity and you can hear the results in the video below (my insights after the video).
Note that I chose to record the pedals through a very clean amp in order to more plainly showcase the differences. A lot of guitarists use Fuzz pedals against an already overdriven amp which is a different thing altogether.
First let’s precise that Steve’s pedals are made to high standards using quality components. As such they represent the best of the boutique world.
They also sport more settings than the good old 2 knob Fuzz face, these knobs being Fuzz and Level for those of you who wouldn’t know. The Buffalo FX Silicon model features a third button named “Shape” which allows to tweak the bottom end. The Germanium model features a bias knob as well as a pregain knob. The pregain allows to tweak the amount of signal sent to the fuzz circuit whereas the bias changes the voltage, it can be used to change the tone but also to cater to temperature differences.
It is generally accepted that Germanium based Fuzz pedals have a “rounder” tone, less crisp than Silicon models. And I must say that this holds true with the Buffalo FX pedals. It is especially noticeable with single coil pickups, I found it a bit less flagrant with humbuckers. I also find that the Silicon model has slightly more gain on tap. It offers a tad more sustain with my Strat but it made the volume roll off cleanup a bit less smooth than the Germanium model.
I would say that if you are looking for an edgy, quite gainy Fuzz, Silicon is probably for you. But if you are looking for a warmer, bluesier even, Fuzz pedal, then Germanium might be a better match.
The best is probably to have both on the pedal board of course, he he